Clad in a brocade sari and heavy gold jewellery, Priya wanders on to the sands in the dead of night, while Rahul is busy drinking (with the liquor is injurious warning trying hard to spoil his spiritedness) with pals celebrating a bachelors’ party. What more can one ask? And for those who might have been waiting for Siddhu’s he-manship, the director throws in a scene that hyphenates the wedding and the picnic on the beach.
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The marriage is hurriedly pushed aside for the couple to go sight-seeing in Goa - beaches and bikini babes for the voyeuristic viewer. Pugazh review: Jai fights land sharks in a flawed screenplay So, what if the guy is a total stranger and may be a potential villain. She has never seen Goa, and jumps at the invitation. Rahul had forgotten all about it, and having struck a love-hate relationship with Priya on board, he coaxes her to accompany him. At Dabolin, Rahul gets a call from his best buddy who is getting married the very next day in Goa. Now, a carpet of coincidences is laid out for us to blindly tread on. The first half is a juvenile romp of two rather mature looking actors, Hansika Motwani (as Priya) and Siddhu (as Rahul) - who meet on a plane that takes off from Mumbai to Chennai, but is forced by bad weather to land at Goa’s Dabolin airport. Let us take a look at what Uyire Uyire has on offer. To top this, a house as renowned as Eros International is distributing the movie! Thozha review: Love stories intrude into this male bondingĪnd Jaya Prada has introduced her son, Siddhu, as the hero in her film, written and directed by AR Rajasekar. One had expected someone as talented as Jaya Prada (Satyajit Ray once described her as the most beautiful woman) and an ace politician like Amar Singh to invest their money in at least an above average movie, but what they have produced - Uyire Uyire (Tamil) - is unwatchable.
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What is more, Bollywood and others are often ridiculed, and termed “sheer nonsense”. But today, songs and dances (to boot) stick out like sore thumbs, and have been a cause for Indian movies’ poor performance on the world stage.
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Time was when Indian cinema had a dozen songs or more in just about every film, but they were an integral part of the narrative and they pushed the story to its next chapter.